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Science Fiction. Ryn is a Citadel. A soldier. A liar. Ryn and her fellow Citadels were specially chosen and trained to guard a Rift—one of fourteen unpredictable tears in the fabric of the universe that serve as doorways to alternate Earths.

A fine-tuned weapon, Ryn is a picture-perfect Citadel. When a young man named Ezra is pulled through the Rift, Ryn finds herself immediately drawn to him, despite her training. As Ryn and Ezra desperately try to get to that truth, they discover that each revelation blurs the line between the villains and the heroes even more.

From the Occupation Period to the present, Japanese cinema had offered a means of coming to terms with one of the most controversial events of the 20th century. This collection of new essays explores the cultural aftermath of the bombings and its expression in Japanese cinema. The contributors take on a number of complex issues, including the suffering of the survivors hibakusha , the fear of future holocausts and the danger of nuclear warfare. Taking a multi-disciplinary approach, he analyses how activists maintained cohesion, raised funds, held protests that regularly drew hundreds to thousands of participants, and used fishing boats to land activists on disputed islands.

Detailing events that took place between and , he demonstrates how skilled social actors built cohesive grassroots protest organizations through the creation of shared meaning for their organization and its supporters.

However, the combination of distinctive war experiences, a vibrant set of local historian groups, and powerful media organizations disseminating local war history, has generated an identifiable set of local collective memories. Using Japanese-language sources presented for the first time in English and a number of detailed local history case studies, it offers a fascinating and hitherto little-known perspective on the Second World War.

Demonstrating that understanding local history and memories is essential for a nuanced understanding of national history and memories, the book will be highly valuable to students and scholars of Japanese history, Second World War history, and Asian history. From authoritarian populism to mass shootings, xenophobic nationalism, and the allure of conspiratorial thinking, Schneider argues that modern jihad is not the antithesis of neoliberalism, but rather a dark reflection of its inner logic.

The Apocalypse and the End of History is written with the sensibility of a political theorist and based on extensive research into a wide range of sources, from Islamic jurisprudence to popular recruitment videos, contemporary apocalyptic literature and the Islamic State's Arabic-language publications.

The book explores modern jihad as an image of a potential dark future already heralded by neoliberal modes of life. Surveying ideas of the state, violence, identity, and political community, Schneider argues that modern jihad and neoliberalism are two versions of a politics of failure: the inability to imagine a better life here on earth.